DANCE COKEK BETAWI
In the history of art Betawi, Cokek is one of the leading entertainment. In addition to wide spread rapidly also much-loved community Betawi Betawi city to suburb. At that time the party held almost every entertainment, both celebrations banquet weddings to bridal party circumcision. And various events that are party people. There the dancers dancing Cokek demonstrates his skill as he sang. Perhaps if the dancers are less afdol cokek just dancing. Therefore the development should also be a smart addition to dancing, aka vocal singing in a melodious voice accompanied the music of Gambang Kromong. So the intersection between the songs and the music is really lively show ngejreng beeng.
Too bad the book "Art Highlights Betawi" November 2003 published edition of Culture and Museum Agency of DKI Jakarta, written by H. Rachmat Ruchiyat, Drs. Singgih Wibisono and Drs. H. Rachmat Syamsudin, not to mention since when has that kind of dance Cokek surface. No mention is also clear who the leaders or the perpetrators of the first to introduce the Egal-egol dance while shaking hips kenes. Surely there are other coquetry raised by the dancers to attract the opposite sex, plus the cast of beautiful dancers attract guests to follow him on stage or in pairs ngibing courtyard houses. Betawi people call Tari Ngibing Cokek. As long as they are presented ngibing eager to drink palm wine. Similar to Tayub Dance from Central java
Honored Guest
So beautiful and familiar type of dance. The female dancers are dressed up and primp, powder and smeared his face reddened lips, plus the scent of the oil cap mermaids. In the opening dance dancers dancing in a position aligned to the side, similar to the position of the stage arts Ketoprak row Java. They spread his hands to shoulder height, as he stepped foot back and forth motion of the songs accompanied by Gambang Kromong typical. Then they invite guests to dance to the present with draping scarves. Delivery of the scarf is usually given to guests who are considered the most honorable. When the guests are willing to dance then they start dancing in pairs. Each pair face at close range but do not touch each other. In some songs there are couples who danced back to each other. If you happen to place large, there are some dancers whirling in a circle. Finished dancing, the guests pengibing provide financial rewards that cater to the dancers cokek. Not bad, each dancer cokek overnight can raise enough money amount. Could be spent on private goods such as clothing, shoes, slippers or whatever according to their pleasure.
Economic Functions
This can be interpreted in terms of that kind of dancing bears Cokek economic functions. The Puppet Cokek than rewarded with money from the responders also got a tip from the men who had pulled together ngibing. Arguably the first artist Cokek get steady income because of the frequent invited. Differences with the present in which the type of art Cokek market gets less. In an age of modern technology, a new generation of Batavia in the outskirts of the city would feel more comfortable even perceive a single organ music featuring dangdut singer to dress sexy. Progress and the time shift is difficult to prevent. Now people prefer to choose an almost instantaneous entertainment in front of the television screen. Perhaps that kind of art Cokek not extinct, should local government agencies that handle this type of preventive action Betawi arts training is quite intense and continuous.
Perhaps it could be a matter of example, from the earliest times to the present or may appear mannered Cokek dancers wear clothes that cover the entire body. Cokek dancers usually wear braces and trousers and a scarf wrapped round the waist section. Both ends of a long scarf stuck to the bottom. Functions in addition to dance scarf can also be to hook the male guests to dance together. Beauty outfit that sparkled were made of silk or sateen fabric very bright, bright red, green, yellow and purple, shiny glimmering twilight when the light hit patromaks
Decorative elements were located at the head of the Wayang Cokek (call for dancing cokek). Meant to look more beautiful and wonderful if his head and shake it left to right. Her hair was neatly combed back. Anything else is braided in sanggulkan with hairpin like rocking horse bridal Java. Plus trimmings of braided or knitted wool which, according to the local term called phoenix.
This can be interpreted in terms of that kind of dancing bears Cokek economic functions. The Puppet Cokek than rewarded with money from the responders also got a tip from the men who had pulled together ngibing. Arguably the first artist Cokek get steady income because of the frequent invited. Differences with the present in which the type of art Cokek market gets less. In an age of modern technology, a new generation of Batavia in the outskirts of the city would feel more comfortable even perceive a single organ music featuring dangdut singer to dress sexy. Progress and the time shift is difficult to prevent. Now people prefer to choose an almost instantaneous entertainment in front of the television screen. Perhaps that kind of art Cokek not extinct, should local government agencies that handle this type of preventive action Betawi arts training is quite intense and continuous.
Perhaps it could be a matter of example, from the earliest times to the present or may appear mannered Cokek dancers wear clothes that cover the entire body. Cokek dancers usually wear braces and trousers and a scarf wrapped round the waist section. Both ends of a long scarf stuck to the bottom. Functions in addition to dance scarf can also be to hook the male guests to dance together. Beauty outfit that sparkled were made of silk or sateen fabric very bright, bright red, green, yellow and purple, shiny glimmering twilight when the light hit patromaks
Decorative elements were located at the head of the Wayang Cokek (call for dancing cokek). Meant to look more beautiful and wonderful if his head and shake it left to right. Her hair was neatly combed back. Anything else is braided in sanggulkan with hairpin like rocking horse bridal Java. Plus trimmings of braided or knitted wool which, according to the local term called phoenix.
Living-Dead are Reluctant to Refuse to
From various reliable sources, the ancient dance Cokek fostered and developed by Chinese landlords rich flat. Long before World War II broke out into dance and music Gambang Kromong Cokek owned baron baron-class Chinese Peranakan. Can be seen that the rhythm of the song-like song of his country tycoon Liem Swi Liong. Peranakan Chinese financiers, brokers fund that the lives of artists and dancers Cokek Gambang Kromong. Some are even providing housing for their particular residence. At the time of independence, as now, there is no guarantee that it still lives and their welfare. It is like chicks who lost their mother. Although even since the recent period has been established office of Culture and Museum Agency of DKI Jakarta, but the way is still not built it up. So now it looks like art Cokek are on the fence, unwilling to die was unwilling to live.
From various reliable sources, the ancient dance Cokek fostered and developed by Chinese landlords rich flat. Long before World War II broke out into dance and music Gambang Kromong Cokek owned baron baron-class Chinese Peranakan. Can be seen that the rhythm of the song-like song of his country tycoon Liem Swi Liong. Peranakan Chinese financiers, brokers fund that the lives of artists and dancers Cokek Gambang Kromong. Some are even providing housing for their particular residence. At the time of independence, as now, there is no guarantee that it still lives and their welfare. It is like chicks who lost their mother. Although even since the recent period has been established office of Culture and Museum Agency of DKI Jakarta, but the way is still not built it up. So now it looks like art Cokek are on the fence, unwilling to die was unwilling to live.
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